pbender

Nov 172012
 

Over the past couple of years I’ve been doing some black and white 35mm film work with a Leica M6 TTL and Nikon EM.  I remember when I was doing all my own film developing back in the 70’s and 80’s and the thrill of opening the developing tank after the final wash and pulling a 36 exposure roll of 35mm film off the spool, holding it up to the light and viewing the results of your efforts.  While it’s good to insert a memory card into your computer after a day out shooting, open Lightroom (or Aperture) to import your shots onto the hard drive and then review the results of your shoot on the screen it doesn’t even come close to the enjoyment of looking at the developed roll of film…that’s in my opinion anyway and I’m sure if you ever get around to trying film you’ll get the same buzz.

Enough of the preamble, let’s get onto the purpose of this blog entry.  I love absolutely everything photography related but have become annoyed at my inability to stop getting drawn into the latest and greatest advancements in digital kit, even though I’m continually blown away by just how fast digital photography has come in the past 10 years.  Look at the quality of what’s now coming out of smart phones such as the Apple iPhone and the new Nokia Lumia…where will it end, it won’t.  But digital will never be the same as film and that’s why I find it so enjoyable to mix digital and analogue. Though I’ve been working with 35mm film lately I’ve always been intrigued by large format photography but have found it a bit daunting and really haven’t had the time to focus on learning more about it.  A recent rush of blood and some irresistible bargains on eBay have changed that and I’m now starting a journey into the world of 4×5 large format photography and I’d like to share it with you.

I thought I’d start off with a list of what I purchased on eBay to get started on the 4×5 journey:

  1. Wista 45 SP (I was lucky to find one in very good condition and there do appear to be a few around)
  2. Nikon W 150mm f/5.6 Copal 0 (I’ll talk more about the investigation I did before deciding on this lens)
  3. 4×5 film holders (the ones I bought were all Fidelity Elite and they appear to work well)

Here are some pictures of the Wista with the Nikon 150mm attached.  Looks pretty neat and it’s amazing how many comments you get when you take this baby out. Kids and adults alike were all saying “look at the cool camera”.

Front view with lens in normal position


Rear view


This is where it gets really interesting…


…and still more flexibility


You’ll need 4×5 film holders and some film


…and if you want to do your own developing

Nov 122012
 

I’ll be honest up front…I’m one of those photographers who suffers from GAS (Gear Acquisition Syndrome)…I really, really, really enjoy buying photograph kit and then find it especially hard to part with it even when it’d be the sensible thing to do to help fund new purchases. As a result of my ongoing addiction I currently have three 50mm lenses which I’ve bought over the last 3 years for my Leica M9 kit. In order of purchase they are:

  1. Voigtlander 50mm f/1.1 Nokton
  2. Zeiss f/1.5 C Sonnar T* ZM
  3. Leica 50mm f/1.4 Summilux ASPH

I started out with the Voigtlander in late 2009 when I needed a 50mm to put on my newly acquired Leica M9.  The Summilux was out of reach at that time both financially because I’d just forked out a chunk of cash for my M9 but also because it simply wasn’t available.  I continued to keep my eye out for a Leica 50mm Summilux but was in no hurry, (which was lucky as they were as rare as hen’s teeth).  Anyway I was very happy with the Voigtlander, it was sharp and with nothing else to compare it against was giving me some great images with pleasing bokeh and it loved going out at night to use its f/1.1 aperture.  I think the Voigtlander looks great on the M9 but it is a little on the heavy side (then again so is the Leica Noctilux which I played with in the Leica Store in London).  Some folks may think it’s too big on the M9 but I thought it was just right.  All in all the Voigtlander is a tremendous performer and when you consider it can be obtained for less than $1,000…an absolute bargain.

I know that I should just sell both the Voigtlander and Zeiss and get on with my life shooting with the Leica Summilux, which is one of the great lenses but I just can’t let the other two go without a fair fight and a chance to stay as part of my Leica kit.

Anyway, I decided to do a shoot off and want to share the results with anyone bothered to read this blog. Here are the firs comparison pics taken at f/1.4 (f/1.5 for the Zeiss). You can make your own decision but if you’re interested in my thoughts the Leica Summilux is preferred but the question is whether it’s worth the extra dollars or not.

Carl Zeiss 50mm C Sonnar T* f/1.5

Voigtlander 50mm Nokton f/1.1

Leica 50mm Summilux f/1.4

Jan 042012
 

Here are some selected images taken on 2 Jan 2012 which was an incredible winter’s day spent exploring the North West Norfolk coast area of England. There are more images on the “gallery” tab from my 3 week holiday in the UK over the 2011 Christmas/New Year period.

Round Tower Church in field - somewhere near Docking

Round Tower Church in field - somewhere near Docking

Old Hunstanton Beach

Old Hunstanton Beach

Brancaster Staithe Winter Evening

Brancaster Staithe Winter Evening

Brancaster Staithe Sunset looking North

Brancaster Staithe Sunset looking North

Brancaster Staithe Sunset at Low Tide

Brancaster Staithe Sunset at Low Tide